The Fama Fraternitatis Rosae Crucis (Fama fraternitatis Roseae Crucis oder Die
Bruderschaft des Ordens der Rosenkreuzer), or simply
the Fama
Fraternitatis, is an anonymous Rosicrucian manifesto published in
1614[1] in Kassel (Germany). It was translated into English in 1652 by Thomas
Vaughan. It was published as an appendix of the 77th. Advertisement
(section) intitled Generale Riforma dell' Universo (The Universal Reformation of Mankind) of a German
translation of Bocallini's satira Ragguagli di Parnasso (Advertisements from Parnassus). The Fama which
created a profound effect was soon published in separate form.
The Legend
The Fama tells the story of the "Father C.R."
(later on C.R.C., the mythical Alchemist Christian
Rosenkreuz), his ill-fated pilgrimage to Jerusalem; his subsequent tutelage by the
secret sages of the east, the wise men of Damcar in Arabia, from whom he learned the ancient esoteric
knowledge which included the study of physics, mathematics, magic and kabbalah; his return
through Egypt and Fes and his presence among the alumbrados in Spain. It is thought in occultism that Rosenkreuz's pilgrimage
seems to refer to transmutation steps of the Great
Work.
After his arrival to Germany, Father C.R. and other Brothers established an esoteric Christian Fraternity: "The
Fraternity of the Rose Cross". The Brothers of the Fraternity were sent in mission throughout the world,
having as their first priority to use their knowledge to "cure the sick" in a free of charge way "that
gratis", not wearing any special clothing, and met once each year in the mysterious "House of the Holy
Spirit".
The Legend shows an agreement with six articles that they drew up Prior to
their separation, bounding themselves one to another to keep:
- That none of them should profess any other thing than to cure the sick,
and that gratis.
- None of the posterity should be constrained to wear one kind of habit,
but to follow the custom of the country.
- Every year, upon the day C., they would meet together at the house Santi
Spiritus, or write the cause of their absence.
- Every Brother should seek a worthy person to succeed him after his
death.
- The word CR should be their seal, mark, and
character.
- The Fraternity should remain secret one hundred
years.
List of names in the Legend
The Legend presented in the Manifestos has been interpreted through centuries
as texts full of symbolism. Rosicrucians clearly adopted through the Manifestos the Pythagorean tradition of envisioning objects
and ideas in terms of their numeric aspects, and, on the other hand, they directly state in
the Confessio
Fraternitatis, "We speak unto you by parables, but would willingly
bring you to the right, simple, easy and ingenuous exposition, understanding, declaration, and knowledge of
all secrets."
In the narrative
- I. A.
- G.V.
- R.C. (C.R.C.'s deceased father's brother's son): (see also description in
the vault below).
- B. (a skillful painter)
- I.O. (P.A. was his successor)
- P.D. (A. was his successor, and N.N. was in turn A's
successor)
- R. (successor to C.R.C.)
- G.G.
The sentence "C.R.C.'s deceased father's brother's son" has always been a
deeply enigmatic one. There is the possibility that it may refer to the rebirth process, a central tenet teaching of
groups having, or claiming to have, a Rosicrucian philosophy. This would imply that "Father C.R.", possibly
of the 13th/14th century, would have been reborn to "R.C.", becoming the 14th/15th century C.R.C. in the
Manifestos. This appears to confirm what several later sources wrote about the Rosicrucian
movement:
- According to the Anthroposophy founder Rudolf
Steiner, the Mystery of the foundation of the Rosicrucian Order
in the early 14th century relates to the birth of Christian
Rosenkreuz in the 13th century, and his later rebirth in
the 14th century.
- According to Maurice Magre, in Magicians, Seers, and
Mystics, derived from local oral tradition, Christian Rosenkreuz
was the last descendant of the Germelschausen, a German family which flourished in the 13th century. Their
Castle stood in the Thuringian Forest on the Border of Hesse and they had embraced Albigense's doctrines,
combining pagan superstitions and Christian beliefs.
- According to the Rosicrucian Initiate Max
Heindel, the foundation of the Order of the Rose Cross occurred
in 1313, early 14th century.
- According to Mason Albert
Pike, and later metaphysician René
Guénon and the scholar Manly Palmer
Hall, the "Adepts of the Rose-Croix" are for the first time
expounded in Dante's The Divine
Comedy (1308-1321).
In C.R.C.'s vault
- Fra. I.A. Fra. Ch. electione Fraternitatis caput. [elected head of
Fraternity]: possibly Iohann
Andreae (1586-1654)?
- Fra. G.V. M.P.G.
- Fra. F.R.C. Junior haeres S. Spiritus [younger heir of the house of the
holy spirit]:
- Fra. F.B. M.P.A. Pictor et Architectus [painter and architect]:
possibly Francis
Bacon (1561-1626)?
"Secundi Circuli"
- Fra. P.A. Successor to Fra. I.O., Mathematicus
- Fra. A. Successor to Fra. P.D.
- Fra. R. Successor to Patris C.R.C., cum Christo Triumphantis [with Christ
Triumphant]
The enigmatic "Fra. F.R.C." in the vault (the "R.C." in the
narrative, see
above) is mentioned as "heir"; this statement "younger heir of the
house of the holy spirit" seems to provide evidence of the intimate relation to "Father C.R.", possibly meaning
"Father R.C." [forming the C.R.C. initials]:
- The poet Fernando
Pessoa - known defender of Masonic and Rosicrucian ideals and possible
Rosicrucian Initiate, as he states "Initiated from Master to Disciple in the three minor degrees of the
(apparently extinct) Portuguese Templar Order" (Rosicrucians seem to have had a deep presence in
Portugal, intermixed with Templar tradition, and with evidence in monuments and literature, from
medieavel times into the 20th century) - wrote an hermetic poem titled
" No Túmulo de Christian Rosenkreutz" [In the
Tomb of C.R.C], which states in the final line/verse: "Our Father Rose-n-c[k]reuz [Rosaecruz] knows and
keeps silent", which may attribute the whole key to the understanding of the "Fama" to the enigmatic
character described as "R.C." or "F.R.C".
- The sentence "cum Christo Triumphantis" [with Christ Triumphant] may
imply that the central meaning of the "Fama" is to give account of the final achievement into the "Great
Work" (the Philosopher's
Stone of the alchemists, or the Holy
Grail of the Templars) by C.R.C., Christian
Rosenkreuz. This seems to describe that the symbolism of the
unification of the "Rose" and the "Cross" (Christian Rose Cross), in the Legend, implies the existence
of a Christic state
(Christ, the Light
of the World), which includes liberation from the cycle
of births and
deaths, comparable and higher than the Buddhic state
(Buddha, the Light
of Asia) described in the eastern sacred literature. This
"Christic" process and state is pointed by major occultists as being described in some
major western literary works as the 14th century The Divine
Comedy[2] or the 16th
century The
Lusiads,[3] and, it is also, to some extent,
explained in the Rosicrucian literature known as Western
Wisdom Teachings.
According to Émile Dantinne (1884–1969), the origins of the Rosicrucians may
have an Islamic connection. Rosenkreuz started his pilgrimage at the age of sixteen. This led him
to Arabia, Egypt, and Morocco, where he came into contact with sages of the East who revealed to him the "universal
harmonic science." After learning Arabic philosophy in Jerusalem, he was led to Damcar. This place
remains a mystery—it did not become Damascus but is somewhere not too far
from Jerusalem. Then he stopped briefly in Egypt. Soon afterwards, he embarked to Fes, a center of philosophical and occult studies, such as the alchemy of Abu-Abdallah, Gabir
ben Hayan, and Imam Jafar al
Sadiq, the astrology and magic of Ali-ash-Shabramallishi, and the
esoteric science of Abdarrahman ben Abdallah al Iskari. However, Dantinne states that Rosenkreuz may have
found his secrets amongst the Brethren of
Purity, a society of philosophers that had formed
in Basra (Iraq) sometime during the 900s. Their doctrine had its source in the study of the
ancient Greek
philosophers, but it became more neo-Pythagorean. They adopted
the Pythagorean tradition of envisioning objects
and ideas in terms of their numeric aspects. Their theurgy and esoteric knowledge is expounded in an
epistolary style in the Encyclopedia of the Brethren of Purity.
The Brethren of Purity and the Sufis were united in many points of doctrine. They both were mystical orders deriving
from Qur'anic theology but
supplanting dogma with a faith in the Divine Reality. There were many similarities between the
Rosicrucian way as expressed in the manifestos and the way of life of the Brethren of Purity. Neither group
wore special clothing, both practiced abstinence, they healed the sick, and they offered their teachings
free of charge. Similarities also were evident in the doctrinal elements of their theurgy and the story of creation in terms of emanationism.
Notes and references
- ^ It is generally assumed, among
researchers, that the Fama may have been in circulation ca.
1610 since a reply to the Fama had already been printed in 1612 by
Adam Haselmayer who had seen a manuscript copy of the Fama in Tyrol in 1610. In 1612 "De Ragguagli di Parnasso [Advertisements from Parnassus]" was
published in Venice and Trajano
Boccalini, listed as author of the "Generale Riforma dell'
Universo" (77th. Advertisement), had died in 1613. Manly Palmer
Hall refers that the author of the 77th Advertisement may
have been Francis
Bacon.
- ^ Dante Alighieri in "The Divine
Comedy: 3rd Cantica, Canto XXXI": «In fashion then as of a snow-white rose / Displayed itself to me the saintly host, /
Whom Christ in his own blood had made his bride,»
- ^ Camoens in "The Lusiads: Canto X":
«Makes you reward, baron, the Sapience / Supreme of, with the
corporal eyes, / see what can not the vain science / of the wrong and miserable
mortals»
See also